Wednesday, 25 February 2026

Welcome to the Circus – In Transit





Six months after taking up the corner ground floor unit, my confident said,

"I’m worried that you are getting too comfortable here."

The large grand white building now ran with jagged masonry scars around the base, where vehicles had crashed and scraped. On a bad day there were large dead rats disemboweled on the concourse by the three cats who roamed in residence. Police welfare checks had flourished. It took over an hour to smash through a door if someone was unconscious inside. Ambulances came and went quietly day and night. 

Two tenants had decent sound systems. I played soundtracks – Gortoz A Ran (Black Hawk Down}, Marriage of Figaro (Shawshank Redemption) and on grey days, the Man on Fire soundtrack, The End,  when Creasy dies. The other tenant had one song on repeat, Titanic’s My Heart will Go On (Celine Dion). 

My response, 

“I know what it looks like. No one is having sex here. No-one is worth the expense. Euthenise the lot of them and start afresh.

But you’d have to be a flat-earther politically, if you can’t see social housing is undeniably the future. Where exactly do people live, so everyone is safe from people who really don’t give a fuck? Time to wise up – politicians and public intellectuals have kids too, that they don’t want in their house and they don’t want to spend their super on. 

I’m easy. I can be comfortable anywhere.”

It’s true. AI persists in reporting that I grew up impoverished. For accuracy, my family were slaves on sheep stations in New South Wales. 

My dad was a mining executive until he retired, and my mum probably earned more than he did. I’m private schooled and went all over the world while I was still in primary school. I also saw my extended family living on the river bank with their belongings stored in the trees. I’ve seen it all. 

My career was gliding, redolent with special access, where I was ushered and cleansed with warm towels for my hands and handed drinks on arrival. City views too dazzling to close the curtains at night. The truly powerful wear it well. Elegant, unhurried. No-one's calculating the cost of anything. Urban myths of great luxury, secret places, that are in fact true for the few. 

I felt fortunate – highly privileged indeed, to be an occupant of the House of Lions. My phone autocorrected ‘House of Loons’, quite rightly. The residents roamed around snarling and purposeful. The calvacade of astonishing anti-social depths never stopped flowing. The debauchery was breathtakingly hideous.

My world view tilted. I was in no danger. I knew Braveheart and another who took an interest, Viking, watched my place likes hawks. Viking being one of the two who would actually do something. 

I loved the grandeur of the shimmery honesty, craven and theatrical.

I loved the storms, when the driveway and surrounding trees formed a keyhole leading to a lightning sky. 

Subcultures, who lays claim to belonging to one?

Bureaucrats in Australia’s national capital. Do they dream at all?  The 2010s slide into widespread, enduring and uncontrollable bureaucratic malfeasance must keep some people up at night?

Loneliness intertwining with gym culture; devotees achieving perfect forms, while adulting their way through anti-biotic resistant STIs.

Drug den decay; sharpie bins and unconscious sex.

It surprised a few when I left. Did I have the look of someone who would never leave?

...

Thank you for reading 'Welcome to the Circus" an occasional series



Siv Parker
House of Abundant Peace
2026

Thursday, 19 February 2026

Luka




 12.41am Thursday 18/02/2026

As Jupiter is my witness, I swear tonight, if that child cries again it’s going to get ugly.

...

"Luka" is a critically acclaimed song by American singer-songwriter Suzanne Vega.
Released in May 1987, the song was a massive hit and won multiple awards. It seemed to come out of nowhere yet it talked about what everyone was well aware but was rarely reported in the media: child abuse. 

It is a beautifully crafted song. I nearly named my son Luka.


I hear the child disintegrating. If the abuse was physical I would have been on it in a shot, acted immediately, decisively. I understand the system very well, it has powers to do things that I cannot.

The single father is a fissure of toxicity with no adult outlet to relieve the pressure. An adult female would have more skills to escape the weaselling and dodging, the reek of the endless lies, the determination to manifest a deranged version of the world. 

The child howls until he makes no sound at all. Then he sleeps for the few hours left until he has to get up for school.

The father is shitfaced for sure if the conspiracy theories are still blasting out of his unit after 10pm. While the child absorbs the messages in fitful slumber.

The child is eager to please, personable and likes a chat. In the early days, he’d be sent down for batteries, cords, butter etc. In seconds he’d be sprawled on the lounge idly fingering the cat’s head as they watch the big screen. He never looked like he was leaving at all.

His father is always high and permanently on the run, keeping the child in a bubble of secrets as they move around the building. He knows the system too. He is Caucasian and speaks well of himself. They have weekly hair cuts. He gets the privileges he expects.

The child has developed a robotic way of speaking. Now his voice is rarely heard, beyond the crying that happens mostly in the evenings.

He loves colour and sheen. He is effortlessly agile and can make a game out of carting household rubbish if he is on his own. His blinds are permanently closed. TV screens on every wall, it’s a kaleidoscope of disruptive light 24 hours a day. 

The child knows there’s something wrong with his father, beyond being scared of the dark. The child knows his life is horrible.

The father, maybe he’s been deemed the best option? Maybe he doesn’t know what he is doing? Or maybe he does, and its beyond him to stop? 

He manages a complex intake of multiple drugs and money from wherever he can get it. He cannot manage rehab or abstinence, or moderation, or to risk living without any of the relief he’s convinced he requires. He’s isolated, fearful. 

Am I hurting the child? Are the rest of us in the building projecting as much loving kindness, our happiness to see him, and fun and safety in the tiny moments he’s free in the building – the child that exists in such a place, what does the world look like to them? 

He does not understand we bear witness with a purpose.

This is his home, it cares for him and it cries for him. But what will he learn? What is the man he becomes?

“Luka” was a song for a generation. If so named, my son would have never stopped being asked, “Oh Luka, like the song?”  The song was later recorded in Spanish. There’s not many places in the world he could go without someone asking him.

The name Luka symbolises “shining light”.


Siv Parker
House of Abundant Peace
2026

Sunday, 8 February 2026

Always

 


How much land do Aboriginal Australian people own, control or co-manage?

Australia’s Indigenous Land Estate (2024)


The state of Western Australia- the land mass is nearly five times the size of Texas, and twice the size of Alaska.

Land tenure recognises our land rights. Ownership comes in many forms depending on the dispossession history of each state or territory. It has never been easy.  

In 2026 a non-Indigenous person attempted to set off an explosive device amongst a 300-strong group of Aboriginal people, lots of little kids, and allies wearing the red, black and yellow colours in an annual peaceful rally in Perth, the capital of Western Australia.

In Australia the grand daughter of the enslaved can own the land in two generations. Legally, ethically and permanently.

Always was, always will be Aboriginal land.

....


Maya Angelou - And Still I Rise


Monday, 2 February 2026

Welcome to the Circus

 


1.16am Canberra

Some are afflicted more than others.  By weather patterns, atmospheric pressure, sunlight, full moons. I’m writhing in surplus electricity waiting for rain relief.


8th-century Palladianism was a dominant, restrained architectural style in Britain, Ireland, and America, revivalist in nature and based on the symmetrical, classical principles of 16th-century Italian architect Andrea Palladio. It prioritized balanced proportions, temple-front porticos, and rusticated bases.

A short piece …

I’d accepted sight unseen. It was only temporary while I was waiting for my home to be built. The entrance was a long, straight, pale driveway off a wide tree-lined street. 

The driveway opened out on both sides into a wide concourse skirting a big, white building. Separated into two wings by a central entrance and the staircase to the upper floor. 

Every dwelling had a balcony and windows overlooking the smooth pale apron of concrete. The lights were never off, there were no dark corners on the stage. 

Ragged shadecloths; lengths of knotted ropes and cords; macrame pot holders stained with mildew; dead creepers and faded towels fused to the railings festooned the front of the building. Entrails for everyone to read.

The building was old enough to qualify for a program to retrofit better quality insulation, to reduce energy use and to cut down on noise pollution for occupants. I was on the ground floor.

The building inspector asked, "Can you hear much in here?" She pointed to the ceiling in a general sweep. She had a clipboard.

I said, "I can tell if the man above me has an erection in the morning by the sound of him urinating."

The man above me dealt psychedelics and had an interest in potions. He had dinner parties and cooked everything including the bread. I declined every offer of edible anything but we did have some things in common. There was something he took about every six weeks or so, and his eyes changed colour. He got there with potions, I met him there with meditation, mostly.

He would fall into my courtyard from above. Or he’d climb over the fence, and fall into the shrubbery. We’d talk for hours. I can’t recall any of the conversations, but I remember the other nights when we had fights. We’d always make up. He had the colouring of a Botticelli angel and was similar in appearance to Sandro Botticelli’s Self-portrait as a young man.

He had the same eyes, calmly distant, gently unfocused.  I’ve wondered if the artist captured the best image he could get of his own eyes mirrored in polished metal.  I called him Braveheart.

The other wing was dominated by an ice addict. He walked in the rain, his long black hair half up and down, streaming water. He was Shakespearan in bearing , with a relentless pace in wet, wild weather. His voice carried to the back of the theatre. Perfect diction and pitch. He was always on the phone, if his voice was heard. Otherwise, he never spoke.

Both men were about the same age, private school manners even under extreme influence. Their physical beauty transcended them. They both had perfect teeth. Their parents covered everything. The best they could hope for is to inherit the family house, because their siblings, no one, wanted to live with them.

Braveheart’s story of resistance to norms and not wanting to fit in anyway, he said he was the blacksheep because he was the only one in the family without a Phd. Fair.

Blackheart raged on his phone day and night, eviscerating the listener for their evilness and the hell that awaited such a wreck of a person. He’d go into a lot of detail. Some nights he’d sit outside my fence on a brick wall and talk for hours in technocolour.

The constant foot traffic, bikes, skateboards, scooters gliding in and out of the stage was a sight to see safely from our private balconies. People screamed, swayed, swore and on leaving, some couldn’t work out how to get back down the driveway. Rubbish was everywhere: a human nest of syringes, stolen property and clothes and bedding grew in the underground carpark. 

I was fine. I was clearly a zero tolerance kind of person and no-one came near me in malice. Also, nine of out ten junkies and microdosers couldn’t manage to open my unlocked courtyard gate even in broad daylight.

Reasons I stayed for the duration:

1. Flexible lease, I could get out anytime.

2. I loved it there. Full moons were the best.


Siv Parker

House of Abundant Peace

2026

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Thank you for reading 'Welcome to the Circus' an occasional series ... 

Welcome to the Circus - In Transit