Monday, 5 January 2026

The Pennants


       Archived 2016        


The General Store [side view, the centenary mural] 


This tweetyarn is an installment in my online series ...
 'An Outsider: Yarns from the fringe' ... 28 June - 5 July 2014, updated daily.


'The Pennants'
All rights reserved.















[-o-]


        I really enjoyed this yarn and I'll tell you why.

A year and a half ago, I was finding my feet on social media. 

I'd turned to Twitter and blogging because I just didn't fit in to any literary groups and I needed to find an outlet that suited my need for freedom of expression and creativity, and also was in urgent need of a means of promoting my work.

I'm the type of person who needs to work things out for my self - and against all advice I decided to start writing online, unedited (though I've always tried to keep it neat and tidy) and build a body of work that I could point to and say that is all mine.

Anyone who has experienced a major disappointment and had to start again, would know how that feels. 

My influences have always been the distinctive sound of the bush from the only place I know - my home. I purposely didn't look to see what other people were doing - online and on the page.

If you are an artist - the reason for being is for your own work, and copying another's creativity is as bad as taking credit for another artist's work. It's not just unethical - it's actually skin crawlingly awful if you value art, or specifically writing which in any medium, is what I do.

Early on I realised the number one rule of social media is everyone has their own styleIt's near impossible to copy someone else convincingly because what works best is  revealing the unique personality behind the social media presence.

Much the same as any writing is all about the writer's voice.

If I had any advice for anyone - and I am often asked, 'but how do you make a story out of thin air' - I'd say concentrate on engaging people and work on your technical skills (and get yourself a computer that isn't prone to the black screen of death, not blue, black....) and just like any writing, I think you will develop a style of your own. 

The first time I was approached to have a tweet yarn published - Maisie May - was a surprise and an intriguing development. It had never occurred to me that anyone would want to do that, especially as by their very nature, tweetyarns are already published to a world wide audience.  

I'm keen to continue experimenting with multi media platforms  in the same way that got me here - alone and independent - but I am very excited to come across an opportunity to produce content for a work that will be the first of it's kind. (December 2014)

None of my body of work - the social media, the blogging, the writing in any form - would have been possible if I'd stuck with existing networks, and their more traditional routes for emerging writers. 

Tonight's tweetyarn emerged after a day of tweet chats around the pastoral industry - starting with interaction with the day's ABC Radio National show Bush Telegraph and continuing over the following ten hours, with tweeps sharing family histories, personal anecdotes and in one case - and what I hope to continue, a spontaneous collaboration. 

This was always my intention of what a tweetyarn is - it's a continuation of a conversation, a work, a story, across platforms. 


The Aboriginal station workers, the domestics, the shearers and the drovers all made an incalculable and significant contribution to Australia's prosperity. They were not fully compensated for their labour, and they were working on lands that they had been dispossessed of, and then up till the middle of the last century, in many cases, forced to work and, among other controls, denied freedom to leave.


It is a deep sadness for me personally and for my family, but these days, I take some comfort in knowing that this history and their legacy is slowly becoming more common knowledge. Righting the wrong that is Stolen Wages will continue to be a challenge and a necessity if fairness and mateship is truly valued.


But for now - I hope you enjoy my tweetyarn and please feel free to find me on Twitter.

And thanks to Rhianna Patrick - talented and clever host of Awaye! for the opportunity for me to promote my work.  

There are new writers, new genres, new platforms, and an opportunity for artists like me - who are only artists for the freedom it brings - to follow our ambitions. 


And like all my commissions to date - please feel free to contact me directly via my About page or on Twitter.

4 comments:

  1. Love it,
    I am sure I drove through this town once

    Lottie Schnauser

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  2. Thankyou for the comment. Whenever I drive through a blink and you'll miss it country town I wonder what stories are hidden.
    There are ghost towns out there, unmarked on seldom used roads. It was once a thriving district but now returning to dust.

    Thanks for stopping by! :D

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  3. Hi, Siv! I heard about Twitter fiction on the radio just last week. I wondered how the hell it could possibly work. Now I know! Thank you for being my first. Kind regards and all power to your writing arms. (It sure feels like you use both.) P. :)

    ReplyDelete
    Replies
    1. What I love about social media is it continues to grow, regardless of when you start.
      I started 2 years ago - in June I was the first published twitter fiction writer, and thanks to an awesome opportunity during the 2014 Melbourne Writers Festival I'll also be the first Indigenous blogger to be published via Blurb Books. :D - COMING SOON.
      I'm pulling an Indigenous storytellers online fiction festival together at the moment, to roll January 2015. Inviting Indigenous writers worldwide to share individual or collaborative stories. Project is getting bigger by the day, but I saw no one else had thought of it, so I thought I want to see how far I can take tweetyarns. :D
      Thanks for the comment!

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