Thursday, 19 February 2026
Luka
Award Winner: David Unaipon Award 2012 Queensland Literary Awards. … Why I write... Utter Freedom [April 2013] …
Social realism from an Aboriginal Australian perspective. ... I retain all rights to these works.
Sunday, 8 February 2026
Always
How much land do Aboriginal Australian people own, control or co-manage?
Australia’s Indigenous Land Estate (2024)
The state of Western Australia- the land mass is nearly five times the size of Texas, and twice the size of Alaska.
Land tenure recognises our land rights. Ownership comes in many forms depending on the dispossession history of each state or territory. It has never been easy.
In 2026 a non-Indigenous person attempted to set off an explosive device amongst a 300-strong group of Aboriginal people, lots of little kids, and allies wearing the red, black and yellow colours in an annual peaceful rally in Perth, the capital of Western Australia.
In Australia the grand daughter of the enslaved can own the land in two generations. Legally, ethically and permanently.
Always was, always will be Aboriginal land.
....
Award Winner: David Unaipon Award 2012 Queensland Literary Awards. … Why I write... Utter Freedom [April 2013] …
Social realism from an Aboriginal Australian perspective. ... I retain all rights to these works.
Monday, 2 February 2026
Welcome to the Circus
1.16am Canberra
Some are afflicted more than others. By weather patterns, atmospheric pressure, sunlight, full moons. I’m writhing in surplus electricity waiting for rain relief.
8th-century Palladianism was a dominant, restrained architectural style in Britain, Ireland, and America, revivalist in nature and based on the symmetrical, classical principles of 16th-century Italian architect Andrea Palladio. It prioritized balanced proportions, temple-front porticos, and rusticated bases.
A short piece …
I’d accepted sight unseen. It was only temporary while I was waiting for my home to be built. The entrance was a long, straight, pale driveway off a wide tree-lined street.
The driveway opened out on both sides into a wide concourse skirting a big, white building. Separated into two wings by a central entrance and the staircase to the upper floor.
Every dwelling had a balcony and windows overlooking the smooth pale apron of concrete. The lights were never off, there were no dark corners on the stage.
Ragged shadecloths; lengths of knotted ropes and cords; macrame pot holders stained with mildew; dead creepers and faded towels fused to the railings festooned the front of the building. Entrails for everyone to read.
…
The building was old enough to qualify for a program to retrofit better quality insulation, to reduce energy use and to cut down on noise pollution for occupants. I was on the ground floor.
The building inspector asked, "Can you hear much in here?" She pointed to the ceiling in a general sweep. She had a clipboard.
I said, "I can tell if the man above me has an erection in the morning by the sound of him urinating."
…
The man above me dealt psychedelics and had an interest in potions. He had dinner parties and cooked everything including the bread. I declined every offer of edible anything but we did have some things in common. There was something he took about every six weeks or so, and his eyes changed colour. He got there with potions, I met him there with meditation, mostly.
He would fall into my courtyard from above. Or he’d climb over the fence, and fall into the shrubbery. We’d talk for hours. I can’t recall any of the conversations, but I remember the other nights when we had fights. We’d always make up. He had the colouring of a Botticelli angel and was similar in appearance to Sandro Botticelli’s Self-portrait as a young man.
He had the same eyes, calmly distant, gently unfocused. I’ve wondered if the artist captured the best image he could get of his own eyes mirrored in polished metal. I called him Braveheart.
The other wing was dominated by an ice addict. He walked in the rain, his long black hair half up and down, streaming water. He was Shakespearan in bearing , with a relentless pace in wet, wild weather. His voice carried to the back of the theatre. Perfect diction and pitch. He was always on the phone, if his voice was heard. Otherwise, he never spoke.
Both men were about the same age, private school manners even under extreme influence. Their physical beauty transcended them. They both had perfect teeth. Their parents covered everything. The best they could hope for is to inherit the family house, because their siblings, no one, wanted to live with them.
Braveheart’s story of resistance to norms and not wanting to fit in anyway, he said he was the blacksheep because he was the only one in the family without a Phd. Fair.
Blackheart raged on his phone day and night, eviscerating the listener for their evilness and the hell that awaited such a wreck of a person. He’d go into a lot of detail. Some nights he’d sit outside my fence on a brick wall and talk for hours in technocolour.
The constant foot traffic, bikes, skateboards, scooters gliding in and out of the stage was a sight to see safely from our private balconies. People screamed, swayed, swore and on leaving, some couldn’t work out how to get back down the driveway. Rubbish was everywhere: a human nest of syringes, stolen property and clothes and bedding grew in the underground carpark.
I was fine. I was clearly a zero tolerance kind of person and no-one came near me in malice. Also, nine of out ten junkies and microdosers couldn’t manage to open my unlocked courtyard gate even in broad daylight.
Reasons I stayed for the duration:
1. Flexible lease, I could get out anytime.
2. I loved it there. Full moons were the best.
Siv Parker
House of Abundant Peace
2016
Award Winner: David Unaipon Award 2012 Queensland Literary Awards. … Why I write... Utter Freedom [April 2013] …
Social realism from an Aboriginal Australian perspective. ... I retain all rights to these works.
Wednesday, 28 January 2026
Butterflies
Bladerunner (1982) is set in a dystopian future Los Angeles in 2019. Polluted and overcrowded, with towers of one bedroom units above and the wretched sliding around ground level in the dripping filth below. Rick (Harrison Ford) is hunting down humanoids; the 'replicants' are resisting 4 year lifespans.
In Western Australia an explosive device set to detonate and capable of mass casualties failed to explode.In New South Wales, most news bulletins chose not to screen what was actually said from a stage to the converted. The full video was available. What was said is flat out illegal as per current legislation around hate speech. It does not meet community standards.
Both alleged perpetrators were caught within an hour and both are in custody.
Award Winner: David Unaipon Award 2012 Queensland Literary Awards. … Why I write... Utter Freedom [April 2013] …
Social realism from an Aboriginal Australian perspective. ... I retain all rights to these works.
Sunday, 25 January 2026
Modern Living V
V. Media
Sunday night, Canberra, Australia
In a clear sky, Betelgeuse arcs on my right, Jupiter is
retrograde and Sirius and Procyon are bright tonight.
If you were on Twitter a decade ago, you could feel when it
began to decay. But there was a time before, when it hit the sweet spot.
Of them all, the only digital platform I was interested in
spending time on was Twitter.
I spent about a year watching it.
I decided what was important:
Ethics & etiquette.
Punctuation.
I’m a writer, not a journalist.
Tweetyarns would be live, and a maximum of 7 minutes between
posts to optimize placement in the feed.
Have a schedule, the discipline is good for me.
Use my full name.
…
I thought about:
The Diving Bell and the Butterfly 2007 (French: Le
Scaphandre et le Papillon)
Hunger 2008
Son of Saul 2015 (Hungarian: Saul fia)
What to say when it is difficult?
How to get close enough?
How to write the human condition?
Who am I to tell the stories?
Why?
…
Katharine Viner founded Guardian Australia in 2013, marking
a major milestone in the outlet’s global expansion.
Kath Viner made the unimaginable possible for many Aboriginal
Australian writers.
…
For a few years, Twitter was worth the time and effort, for the people I met, the good will I shared, and the influence it wielded. It came and it went.
No labour is lost.
…
People ask if I had a problem with trolls.
Not really. I was overwhelmed with kindness and curiosity
and always tried my very best in any medium.
A troll is a stranger who stands outside your house and
yells at you from the street. You don’t know them, can’t quite work out what
they are saying, and they seem full of life.
Storytellers and the people who pay attention to them are
two sides of the same coin. One is nothing without the other.
….
Thank you for reading Modern Living: Parts I, II, III, IV and
V
Siv Parker
House of Abundant Peace
2026
Award Winner: David Unaipon Award 2012 Queensland Literary Awards. … Why I write... Utter Freedom [April 2013] …
Social realism from an Aboriginal Australian perspective. ... I retain all rights to these works.
Thursday, 22 January 2026
Modern Living IV
IV. Uniapon
Pronounced: U-nye-a-pon
Part of the Queensland Literary Awards, the David Unaipon Award is for an outstanding unpublished manuscript by an emerging Aboriginal and/or Torres Strait Islander writer.
Established in 1988, the award is named in honor of David Unaipon (1872–1967), a Ngarrindjeri author, inventor, and activist who was the first Aboriginal writer to be published in Australia.
When I won the Uniapon, I hadn’t prepared a speech.
I really wanted to win that year. The Queensland Literary Awards 2012 had been cancelled by the Qld Government. The Awards went ahead in a tidal wave of volunteers and good will.
There was no prize money as per previous years.
That was the award I wanted to win, so I finished my first manuscript in a month, drove with my sister to Queensland and submitted it at Avid Reader Bookshop, West End, Brisbane with 15 minutes to spare.
Winners are invited to read from their manuscript.
I jumped on and rode the spectacular.
~ Lantash, Alison Tafel
The night before I met with Frank Moorhouse, a gentleman of words.
“Most people will want to hear you read”, I reasoned.
“They’ve already read me.” A matter of fact.
I fingered what is still my only copy of the manuscript, held tightly together with a large bulldog clip, and a coffee cup stain on the front, off centre, below the title.
Mr Moorhouse kindly said, “They want to hear why you won. Pieces with dialogue, where the characters speak are well received...”
“If only they didn’t all swear so much.” I’d made sure of that.
His best advice was that’s fine and best not attempt any accents.
I went through my manuscript in my hotel room overlooking the sparkles of South Bank. How to convey the essence of me, bare, upright and humble?
I’d love to know if I’m the first Uniapon winner to drop the c-word in a selected reading in the State Library of Queensland hall, filled to standing at the back. Only once, I had other words.
I was blessed with a standing ovation, and a bright eyed moment with Mr Moorhouse.
…
The family senses I’ll be on the move soon.
I put their mind at ease, “Overseas this time”.
“Whose going with you?” They ask always.
“No-one.”
“You’re not a bit scared?”
“I’m not safe here. I’m either othered out of my humanity, or people just flat out trying to kill me. I can go anywhere.”
“What will you see?”
“The sky mostly.”
…
I have no sense of direction. Not in the sense most understand that to be. Tracking the sun helped, I easily drove hundreds of thousands of kilometres across Australia. I travel light. No navigator, no runner to open the gate. No-one else’s music playlist, schedule or allergies.
Being in the one place long enough to learn the night sky, now I know exactly where I am.
Orion strides, chasing his foes and eluding the scorpion. Jupiter is retrograde over my shoulder as I complete the work I chose to publish first.
It’s a literary tour of everything that makes me happy – meeting people in generosity, new skies, and I’ll be able to watch day turn to night for six minutes and 33 seconds.
When the first of the few pics of me appears on the family’s social media network with the sky in glorious movement and colour, they’ll say, “Who’s holding the camera?”
...
Recommended Reading:
Bruce Pascoe, Dark Emu
Bill Gammage, The Biggest Estate of Earth: How the Aborigines made Australia
Thank you for reading Modern Living: Parts I, II, III,
IV and V
Siv Parker
House of Abundant Peace
2026
Award Winner: David Unaipon Award 2012 Queensland Literary Awards. … Why I write... Utter Freedom [April 2013] …
Social realism from an Aboriginal Australian perspective. ... I retain all rights to these works.
Tuesday, 20 January 2026
Modern Living III
III. Vagus
Vagus: Latin for "wandering", "straying", "unsettled"
I always ask first, can I touch you?
Self care is his passage to redemption.
I introduced mon loup to the vagus nerve.
How to describe a sensation someone has never felt?
That he may well have associated vagus nerve resets with the
gambling resort in Nevada added to the spell.
I’ve controlled the wind in my ears and the tidal pulsation
in my neck ever since I can remember, before I learnt it was a function of substance.
In 2026, the head tilt and stretch is a common sight.
I attempted to reach the nerve via one of the points in his
hand, ”It’s soothing and no-one knows you’re doing it.”
Like peeing in the sea. In my case, I’m hip deep and not
just ankles.
…
Music can also stimulate in remarkable ways.
Solo, Clean Bandit, Demi Lovato is a constant ebb and
flow.
…
Tonight’s revelation:
The Killers, When You Were Young
It hits just right in places, getting stronger in time with
the song.
The swell of the intro, guitars and drums.
When you were young, is deep and constant.
Every once
… heartache
… beautiful boy
… forgiveness
… gentleman
… Jesus
… Jesus
Thank you for reading Modern Living: Parts I, II, III,
IV and V
Siv Parker
House of Abundant Peace
2026
Award Winner: David Unaipon Award 2012 Queensland Literary Awards. … Why I write... Utter Freedom [April 2013] …
Social realism from an Aboriginal Australian perspective. ... I retain all rights to these works.
Sunday, 18 January 2026
Modern Living II
II Yarndi
He called to ask, “You angry with me cuz?”
“Yes.”
His voice started to rise, “Why?”
“You called him a dog and a maggot. I was very clear – don’t
fuck around.”
He tried to come at me with a reasonable tone, “But what’s
that got to do with you?”
…
Months earlier we’d had a chance encounter after 20 years living
on opposite sides of the country. When he asked me if I knew anyone, I was
cautious. I’ve known him all his life, he has the health profile to be legit.
I explained, “kinda yeah, but you’re better off getting
medical cannabis. Cheaper, consistent quality, home delivered. And you get a
real neat card saying you’re a registered user.”
I let him know, while researching medical cannabis, I’d
discovered 420 discussion sites and the diverse range of views, products, customers
and dealers. Anyone reading the site for long enough could work out who was a street
dealer. I may have been one of the very few who’d sidled upto a stranger on a
420 site purely because we shared an interest in metaphysics.
My cuz sought clarity on meta-what?
I made it easy for him, “Some blokes go to jail and sit in a
room and paint tiny dots all day. Others go to the library and read books about
philosophy, physics, astrophysics, cosmology, time…”
I know a yarndi plug is the most intense relationship some
people will have their entire life. They are a business not a charity, yet they
know everything about you: when you’re paid, exact weekly income, who you live
with and when you are euphoric or miserable. They know when you sleep. They
know exactly what you like and if you might ask for tic just before payday.
My cuz wanted that kind of relationship so he made the effort
and put it together. I knew this when my metaphysical mate Messengered me to
say hi and he’d met my cousin who’d been mouthy for no reason, but he’d let it
slide.
I wasn’t going to let it slide. I pointed out the nature of
the offence to my cousin, “if you had a woman who embarrassed you like this,
you’d smash her teeth out”.
He responded, “Why are you letting him come between us?”
“He’s my friend.”
“I’m blood”, he screamed.
There it was. My friend was white.
My high wasn’t yarndi, it was the conversation that was rare
and precious to me. I’d explained to my cousin, I got off endone, fentanyl and
lyrica with meditation and natural remedies. I’d stayed off well and truly for
years by protecting my peace.
…
In my experience, this testimony will make a certain kind of
man wince:
When I was 16 I thought about lies and deceit, and the impact
of the surge of adrenalin each time the body goes into fight or flight mode. Lying
floods the body, rotting a person from the inside out. Being lied to can kill
the listener, worst case scenario.
I didn’t lie for 12 years. It was noticeable. I was a bureaucrat;
my colleagues asked me why for a long time.
I remember my first lie, after 12 years.
He said, “do you have any weed, babe?”
I said, “no”.
…
Yarndi smokers with gargantuan male appetites and entitlements
like many men I have met along the way, visibly recoil that a woman would be so
out of control. So my cousin manned up when he connected less my metaphysical muse
think my wilfulness and naivety was a family trait and the menfolk were stupid
as well.
I was raised right by caring men and women. I do and say
what I like, to maintain my peace. Omg fuck off cuz. And take your hand off
your dick when you speak to me. Oh he hates my filthy mouth.
The one insult he cannot abide from a female is ‘get off my
dick’. Not that I’d ever say that to him, he is family after all.
Thank you for reading Modern Living: Parts I, II, III,
IV and V
Siv Parker
House of Abundant Peace
2026
Award Winner: David Unaipon Award 2012 Queensland Literary Awards. … Why I write... Utter Freedom [April 2013] …
Social realism from an Aboriginal Australian perspective. ... I retain all rights to these works.
Boots
Award Winner: David Unaipon Award 2012 Queensland Literary Awards. … Why I write... Utter Freedom [April 2013] …
Social realism from an Aboriginal Australian perspective. ... I retain all rights to these works.
Saturday, 17 January 2026
Modern Living I
I. Caucasians
The seven year old said, why is the man showing people his penis?
She’d been drawn to the window in a teachable moment, to see a nearby balcony. It had been gradual in the lead up to a fully naked man standing in full view in broad daylight. Some of the others had seen penis. What his penis looked like was dismissed as irrelevant. He had fast become a digestive tract attached to a penis, there was no other indication of a higher life form.
He’s tanning, we heavily sanitized.
But I’m a child, she said.
It looked like more of the same, until the fleshlight developed frizzy hair of an actual person of indeterminate gender. Fellatio on his balcony before all the kids had gone to bed. Sexual positions so awkward, surely this was a financial arrangement.
I’m confident none on our side of the street reciprocated with displays of vagina. A dick pic – always unwelcome and pathetic - had evolved into live action on a tiny balcony on a narrow street heavily lit up with street lights, security lights and moody internal lighting.
Sad. It was barren. It throbbed with coercion and peaked with humiliation.
The only relief was to scream outrage across the street, at which point he immediately stopped midthrust and walked backwards to hide. The hair, skin, blood and bone was left spread eagled on a tv console that had been raised with a remote control. It never looked comfortable for the other human, but it was the perfect height for him.
Skin hunger, or just a man, taking advantage of the absence of men to thrust what he thought was the most compelling part of himself in our face? He makes no attempt to communicate. Do we need a man to tell him to wake up to himself and pull the blinds, even if that makes the whole enterprise a little dull without an audience.
I don’t think so. I think he’ll get the message.
Thank you for reading Modern Living: Parts I, II, III,
IV and V
Siv Parker
House of Abundant Peace
2026
Award Winner: David Unaipon Award 2012 Queensland Literary Awards. … Why I write... Utter Freedom [April 2013] …
Social realism from an Aboriginal Australian perspective. ... I retain all rights to these works.
Thursday, 15 January 2026
2am
2am Canberra, Australia
In another city, years ago I met a mercenary in the middle of the night. I don’t remember who parked first for us to be side by side. We got talking because we were both in convertibles. I was taller in my jeep, beside his Ferrari.
Why were we both wide awake at 2am in an empty carpark?
We both liked to see a city at rest.
We were so close I could see his crooked teeth. Not all of them, but enough that would leave a distinctive bite once he latched on. Nevertheless, when he suggested we go try the hairpin turns in his car, I hopped in with the stranger.
He had worked mainly on the African continent, in places in the south all the way up to the Mediterranean Sea.
Much like any endeavour of scale, it’d best done with the like-minded. I could see the attraction – it’s fast, organised, not a lot of banal chit chat and pays very well for those with a very particular set of skills.
Get in, get out. Choose your own living hell.
I saw him for the second time a few years ago, via a news bulletin of a major conflict in Europe. I recognised him by his teeth.
He looked fit in a war zone, encased in weaponry and camouflage gear with ambiguous logos. He will never run out of places to go.
Siv Parker
House of Abundant Peace
2026
Award Winner: David Unaipon Award 2012 Queensland Literary Awards. … Why I write... Utter Freedom [April 2013] …
Social realism from an Aboriginal Australian perspective. ... I retain all rights to these works.
Tuesday, 13 January 2026
Writer's Note January 2026
Midnight into Tuesday, Canberra Australia
In Xanadu did Kubla Khan
A stately pleasure-dome decree:
Kubla Khan. Or, a vision in a dream. A Fragment. Samuel Taylor Coleridge 1772 – 1834
The poet asks, is the creation a pleasure, or is the rapture in the completed work?
Writer’s note: I’m charmed to discover how many continue to visit my blog despite my attention being elsewhere for years.
For archive purposes, I’ll restore the 100 posts removed in 2015 and intended for the blog book. The project was superseded by a wave of other opportunities.
My quest is long-form narrative social realism: books and screenplays. I got here by having years of a blog audience.
Thank you so much for reading.
Ps. I don’t mind what AI says, as it trawls the universe for traces of me. However, for accuracy …
My mother, not I, is the eldest of 18 children.
My mentor: I am forever grateful to Bruce Pascoe.
Occasionally, I’ll encounter a stranger staring hard at me like I owe them money. They want more words.
It is my pleasure.
Siv Parker
House of Abundant Peace
2026
© 2026 Siv Parker
Award Winner: David Unaipon Award 2012 Queensland Literary Awards. … Why I write... Utter Freedom [April 2013] …
Social realism from an Aboriginal Australian perspective. ... I retain all rights to these works.
Sunday, 11 January 2026
On Physicality
Saturday night
Down the dogleg and into the hollow, cloud has created an inversion. Bush fire smoke carried by high winds is seeping across inner north.
Michaelangelo’s David embodies heroism and physical perfection. Unlike other artists, the master chose to depict David before the battle, and the triumph.
It took years and a lot of discarded marble before Michaelangelo could make a 17 foot man stand unassisted. The David emerged from poor quality marble. The skin has always been pitted and the ankles have begun to crack over time.
Designed to be seen from below, David is out of proportion in places, the better to display anatomy, tension and grace. One hand is bigger than the other.
A living man will fall over if he attempts the David pose. It is physically impossible.
Summernats after midnight
Slack bodies in modified automatic vehicles, misfiring in pointless contempt down Northbourne Avenue.
Years ago, I asked a car enthusiast in a shitty car, why is it fun? He said he’d wasted prime years in prison and wanted to make up for it with fun. I told him, calm down Mandela, you were only in jail for 13 months.
Very late, the sound of a solitary superbike on an empty three lane throughfare. Enormous power under control, the rider in synch. Hear the acceleration and the slowing down, and understand the mechanics.
Feel the poise, the balance, the glide and the transition from motion to anticipation. The vibrations, the tension, the flex of all the moving parts under the skin. Feel the heart, the blood, the air they breath. Know the torment, the rage and the yearning.
Award Winner: David Unaipon Award 2012 Queensland Literary Awards. … Why I write... Utter Freedom [April 2013] …
Social realism from an Aboriginal Australian perspective. ... I retain all rights to these works.
Thursday, 8 January 2026
Popcorn
Synesthesia is not a medical condition. Or a mental illness. It’s a gift.
1am
As I write, a car horn goes off twice. Summernats starts later today.
Sweeping over my right shoulder are Betelgeuse, Rigel and Canopus.
I have concussion, caused by heat stroke. When I told my beloved I had concussion without mentioning the heat stroke, he texted immediately (no emojis) …
Well, what happened? Are you okay? Me and the boys are not to get hurt anyone do we?
I love the typo. He has the largest hands I have ever seen on a man, but he is very neat with them.
I got the gist of his text, and replied …
No darling, honestly I live in a good area.
If I was to be battered with an iron rod, who else would do it? I can only think of an aggrieved neighbour as no one else ever knows where I am.
If I’m silent on my blog for a while, I know some think I’ve died.
I write to publish on other mediums these days.
I remain honoured and privileged to be included in the PANDORA archive.
Our forever home is mainly occupied by women and children. The House of Abundant Peace is a platinum build in a sea of really quite good quality medium density complexes. Cavernous rooms with premium insulation. Vast picture windows and multiple decks and balconies shaded by 100 year old trees.On a day forecast like today – 36c – with the windows closed, I’d die on the lounge in airless preservation if not for the airconditioning.
No darling, no one is getting through our security system.
It’s true. It’s a little elaborate, but we agreed, we wanted it all. We prefer all the cameras.
The worse I can imagine occurring in my beautiful home is being jumped by a neighbour into watching a sudden freak off in their lit-up minimalist apartment, when I’m writing on my deck at night. That would be appalling.
2.34am I’m off to gaze at Sirius. There is so much to be seen at night in Canberra with the naked eye.
Everything tastes like popcorn, but I’m feeling so much better.
Award Winner: David Unaipon Award 2012 Queensland Literary Awards. … Why I write... Utter Freedom [April 2013] …
Social realism from an Aboriginal Australian perspective. ... I retain all rights to these works.
Monday, 5 January 2026
The Pennants
Archived 2016
![]() |
| The General Store [side view, the centenary mural] |
All rights reserved.
In 81, my hometown won Australia's Most Boring Town. Most fun to be had was reading the bowser to see if the numbers had changed over night.
— Siv Parker (@SivParker) July 1, 2014
Several locals disputed this and said it was more fun to lay flat on your back outside the General Store and count the nails in the ceiling.
— Siv Parker (@SivParker) July 1, 2014
A question was asked in Canberra, 'does the Minister intend to use his influence to improve road access, so that tourism may be encouraged?'
— Siv Parker (@SivParker) July 1, 2014
On hearing this, a local remarked, they'd have to first relocate the three sheep that spent most days asleep in the middle of the main road.
— Siv Parker (@SivParker) July 1, 2014
Three years into a drought and it was starting to bite. And then one man hatched a plan, to breath new life back into that little bush town.
— Siv Parker (@SivParker) July 1, 2014
He declared they were going to win the State Championship Lawn Bowls Competition. The only problems were no clubhouse, no team and no green.
— Siv Parker (@SivParker) July 1, 2014
He explained, to gather a team, 'I just go around and say, do you want to play, and if you don't want to play I just go to the next bloke.'
— Siv Parker (@SivParker) July 1, 2014
In no time at all, he had the minimum number to register a team, made up of four long armed shearers, two roustabouts and a cook in reserve.
— Siv Parker (@SivParker) July 1, 2014
When asked later, how they'd found a green in a drought, the team captain replied, 'we used the school hall, it's got carpet, wall to wall'.
— Siv Parker (@SivParker) July 1, 2014
Months later, they'd arrived at the championships, where many others gathered around, to pinpoint on the map, Australia's Most Boring Town.
— Siv Parker (@SivParker) July 1, 2014
Over several days the team progressed through the competition and created quite a buzz, so by the time they won they got a standing ovation.
— Siv Parker (@SivParker) July 1, 2014
The State Champion team returned home and attention followed them there. When asked how they felt, they said 'it's what we do here for fun'.
— Siv Parker (@SivParker) July 1, 2014
And so ends this #tweetyarn. Apologies for the delay. Technical issues. I'll collate it and post it on my blog. Thanks for interest! Night!
— Siv Parker (@SivParker) July 1, 2014
I really enjoyed this yarn and I'll tell you why.
A year and a half ago, I was finding my feet on social media.
I'd turned to Twitter and blogging because I just didn't fit in to any literary groups and I needed to find an outlet that suited my need for freedom of expression and creativity, and also was in urgent need of a means of promoting my work.
I'm the type of person who needs to work things out for my self - and against all advice I decided to start writing online, unedited (though I've always tried to keep it neat and tidy) and build a body of work that I could point to and say that is all mine.
Anyone who has experienced a major disappointment and had to start again, would know how that feels.
My influences have always been the distinctive sound of the bush from the only place I know - my home. I purposely didn't look to see what other people were doing - online and on the page.
If you are an artist - the reason for being is for your own work, and copying another's creativity is as bad as taking credit for another artist's work. It's not just unethical - it's actually skin crawlingly awful if you value art, or specifically writing which in any medium, is what I do.
Early on I realised the number one rule of social media is everyone has their own style. It's near impossible to copy someone else convincingly because what works best is revealing the unique personality behind the social media presence.
Much the same as any writing is all about the writer's voice.
If I had any advice for anyone - and I am often asked, 'but how do you make a story out of thin air' - I'd say concentrate on engaging people and work on your technical skills (and get yourself a computer that isn't prone to the black screen of death, not blue, black....) and just like any writing, I think you will develop a style of your own.
The first time I was approached to have a tweet yarn published - Maisie May - was a surprise and an intriguing development. It had never occurred to me that anyone would want to do that, especially as by their very nature, tweetyarns are already published to a world wide audience.
I'm keen to continue experimenting with multi media platforms in the same way that got me here - alone and independent - but I am very excited to come across an opportunity to produce content for a work that will be the first of it's kind. (December 2014)
None of my body of work - the social media, the blogging, the writing in any form - would have been possible if I'd stuck with existing networks, and their more traditional routes for emerging writers.
Tonight's tweetyarn emerged after a day of tweet chats around the pastoral industry - starting with interaction with the day's ABC Radio National show Bush Telegraph and continuing over the following ten hours, with tweeps sharing family histories, personal anecdotes and in one case - and what I hope to continue, a spontaneous collaboration.
This was always my intention of what a tweetyarn is - it's a continuation of a conversation, a work, a story, across platforms.
The Aboriginal station workers, the domestics, the shearers and the drovers all made an incalculable and significant contribution to Australia's prosperity. They were not fully compensated for their labour, and they were working on lands that they had been dispossessed of, and then up till the middle of the last century, in many cases, forced to work and, among other controls, denied freedom to leave.
@SivParker @CGLawyers @RNBushTele every conceivable burden and so many inconceivable ones too.
— Drew White (@litbright) July 1, 2014It is a deep sadness for me personally and for my family, but these days, I take some comfort in knowing that this history and their legacy is slowly becoming more common knowledge. Righting the wrong that is Stolen Wages will continue to be a challenge and a necessity if fairness and mateship is truly valued.
But for now - I hope you enjoy my tweetyarn and please feel free to find me on Twitter.
And thanks to Rhianna Patrick - talented and clever host of Awaye! for the opportunity for me to promote my work.
There are new writers, new genres, new platforms, and an opportunity for artists like me - who are only artists for the freedom it brings - to follow our ambitions.
And like all my commissions to date - please feel free to contact me directly via my About page or on Twitter.
'In 81, my hometown won Australia's Most Boring Town.'
#tweetyarn
OnDusk: The Pennants http://t.co/jANBOuOc2P
— Siv Parker (@SivParker) July 1, 2014
Award Winner: David Unaipon Award 2012 Queensland Literary Awards. … Why I write... Utter Freedom [April 2013] …
Social realism from an Aboriginal Australian perspective. ... I retain all rights to these works.











